The Monkey review: Osgood Perkins take on Stephen King is a hell of a good time
You might think you know Osgood Perkins, but The Monkey is about to prove you wrong. The horror helmer has built a reputation for atmospheric spookiness and psychological tension with twisted thrillers like Longlegs, The Blackcoat's Daughter, and I Am the Pretty Thing That Lives in the House. Yet his adaptation of a Stephen King short story is anything but ambiguous. From its first gnarly scene of deadly violence, its premise and threat is crystal clear: This cursed vintage toy — a mechanized monkey banging a drum — kills without mercy anytime his crank is turned. The Monkey abandons subtlety and seriousness in favor of gonzo and gory displays of ultra-violent death. Perkins' vibe has always been a bit throwback, pulling influence from gothic ghost stories or the grisly tension of '90s thrillers like Silence of the Lambs. This holds true with The Monkey, but his influences here are far less highbrow, as this King adaptation — which King himself called "batshit insane" — has more in common with the madcap mayhem of Tales From The Crypt. The result is a movie that feels refreshingly new for Perkins, yet is knowingly familiar with this gleefully ghoulish and grubby brand of horror. Reveling in kills that are senseless, aggressive, and increasingly imaginative and nightmarish, The Monkey is not just a stomach-churning treat for horror fans. It also feels like a challenge, as if the monkey — be it his unblinking gaze or the truly outrageous gore he unfurls — dares you to look away. What is The Monkey about? Credit: NEON Like King's short story, The Monkey centers on a put-upon dad named Hal (Theo James), who teams up with his young son to defeat the evil toy that has been wreaking havoc since his own childhood. However, Perkins' screenplay works in a lot more death scenes, a custody battle subplot, and a seething twin. In his version, Hal and Bill (also played by James) were just boys when the monkey found them, a hidden gift from their absent father. A morbid experiment
The Monkey review: Osgood Perkins take on Stephen King is a hell of a good time