Hard Truths review: Mike Leigh explores deep-seated anguish through darkly funny realism
Several times throughout Hard Truths, an unassuming English suburb becomes the site of a simmering domestic civil war, when the middle-aged Pansy (Marianne Jean-Baptiste) is awoken from her nap and goes on a wordy, hilariously nasty rant about her neighbors. Her demanding husband Curtley (David Webber) is never surprised, and quietly accepts his wife's latest venomous tirade, knowing full well that he could be its next target. SEE ALSO: New York Film Festival preview: 10 movies you ought to know about Kitchen-sink realist Mike Leigh, now in his eighties, may have come to the bitter realization that at a certain point, some things (and people) may never change. However, with his latest social drama, he paints an acerbic and empathetic portrait of what hitting your limit looks like. The film, and Jean-Baptiste's rankled performance as a wife and mother who just can't catch a break, seem to exist just beyond an invisible point of no return — a line that Hard Truths walks with stunning precision. What is Hard Truths about? David Webber, Marianne Jean-Baptiste, and Tuwaine Barrett in "Hard Truths." Credit: Courtesy of Simon Mein / Copyright Thin Man Films Ltd. While her husband is away at his plumbing job, and while her unemployed 22-year-old son Moses (Tuwaine Barrett) is locked away in his bedroom, the dispirited fifty-something Pansy likes to clean — perhaps a little too much — if only to create a temporary sanctuary for herself, where she can nap without having to worry about the outside world. This paradise never lasts. The real world always comes knocking sooner or later, whether in the form of a stray fox in her yard or the men in her life asking for their next meal. The next inconvenience to her, and her next vicious speech about the state of the world and its selfish people, are always just moments away, and she wants it all to stop. There's a quote from the TV series Justified that has since become a common truism: "If you run into an asshole in the morning, yo
Hard Truths review: Mike Leigh explores deep-seated anguish through darkly funny realism